Issue 4.1

All articles are © 2012 of the individual authors – no unauthorised copying.

The NH Logo is © 2009-12 Charlotte D’Arcy – no unauthorised copying.

All images are in the public domain, as the copyright has expired, or they have been released for distribution and copying by the relevant authors, with the following exceptions:

‘Mo Farah performing the mobot during an Olympic parade’ used in Richard Simpson’s ‘Media and the Olympics’ used under the Creative Commons Attribution 2.0 Generic license.

‘The Olympic Park in London’ used in Alex Gordon’s ‘An Olympic Legacy. Fact or Fiction?’ used under the Creative Commons Attribution 2.0 Generic license.

‘Picture of the Royal Festival Hall taken in 2008’ used in Luke Matcham’s ‘The Festival of Britain’. The copyright on this image is owned by Richard Croft and is licensed for reuse under the Creative Commons Attribution-ShareAlike 2.0 license.

‘Enoch Powell’ used in Ammar Ebrahim’s ‘Multiculturalism – Britain’s Most Glorious Asset?’ used under the Creative Commons Attribution-Share Alike 3.0 Unported license.

‘Nick Griffin’ used in Ammar Ebrahim’s ‘Multiculturalism – Britain’s Most Glorious Asset?’ used under the Creative Commons Attribution-Share Alike 3.0 Unported license.

‘The Empire Windrush, Photographed in 1949 by Michael AW Griffin’ used in David Holland’s ‘The 2012 Olympics and the Irony of Immigration Control’ used with the kind permission of Prosaic.

‘British boxer Nicola Adams’ used in Sam Ellis’ ‘‘To fight like a Man’- The Rise and Demise of the Female Prizefighter in Eighteenth Century Britain’ used under the Creative Commons Attribution-Share Alike 2.0 Generic license.

‘Harold Wilson’ used in Alice O’Driscoll’s ‘Glorious Britain? Revisiting the politics of the 1970s’ used under the Creative Commons Attribution-Share Alike 3.0 Unported license.

‘The Watt Steam Engine’ used in Conor Temple’s ‘Britain in 2012: A Declined Power, And All The Better For It’ used under under the Creative Commons Attribution-Share Alike 3.0 Unported license.

 

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